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Mini Album Review: Rosalia “El Mal Querer”

El Mal Querer one of the best albums of 2018 and “Pienso En Tu Mira” might end up being my favorite song this year too.

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Based on her graduate thesis after studying flamenco and music production, Rosalia was inspired by a 13th century romance novel by an anonymous author.

Medieval romance plus flamenco plus modern pop/R&B production? If that’s not a hook I don’t know what else to tell you. 

El Mal Querer one of the best albums of 2018 and “Pienso En Tu Mira” might end up being my favorite song this year too. I don’t know many pop songs in 6/8 (you *could* argue that it’s in ¾ which is more common, but it so clearly feels 6/8 because of the bass), but it’s a must listen and I’m shocked that it was such a huge hit in Spain because it literally sounds like nothing else on the radio. And the video is….

Rosalia is about to break out. She’s got a role in Pedro Almodovar’s next movie, she’s signed with Sony now, and she just won two Latin Grammys. Get into it.

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Watch: Janet Jackson “Got ’til It’s Gone”

One can only imagine how this music video would’ve been received in this political climate.

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Watching music videos you loved as a child decades later as an adult gives you a new lens. Janet Jackson won a Grammy for this excellent visual ode to Black beauty long before it was mainstream and popular to do so and I didn’t realize that until this week.

Janet went introspective (and a little dark) for The Velvet Rope and she gave a lot of interviews in the run-up to the release. One was about “Got ’til It’s Gone” where she said she knew she wanted a rapper somewhere on the album, and when “GTIG” came together, Q-Tip’s voice fit perfectly. In the same interview she talked about being a fan of Joni Mitchell and how rap and folk were both poetry set to music, and that’s how two very disparate artists ended up on the same Janet Jackson song. (Janet actually called Joni Mitchell personally and sent a copy of the song to get permission for the sample, after being told Mitchell would never approve it.)

For the music video, Janet went with Mark Romanek (who has more Grammys for Short Form Music Video than anybody else), and she portrays a lounge singer in South Africa during Apartheid. Joni Mitchell — on a television screen — is the only white face in this video. Whiteness only exists in this space as a target of Black revolution, as the last scene ends with bottles being thrown at a Europeans Only sign. With Beyonce set to release Black Is King in a couple of days and all of the press and petulant backlash from Saltine America taking offense at her pro-Blackness, one can only imagine how “GTIG” would be received in this political climate.

Twenty years after The Velvet Rope, people (including me) made note of Janet Jackson’s love letter to the African diaspora with “Made For Now” through the sound and the fashion and the dance sprinkled throughout the video. But really, Janet has always been that girl. We just pay more attention these days.

 

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Watch: Brandy sings her classics.

Listen to this vocal technician!

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Brandy is the only singer who sounds better singing her debut album 25 years later than she did when she recorded it. That’s not shade to anybody else — Toni, Deborah, Monica, Mary can all still blow. But Brandy is the only one who keeps improving with age.

Listen to this vocal technician y’all.

1:15 Almost Doesn’t Count
5:30 Best Friend
6:43 I Wanna Be Down
8:52 Sittin Up In My Room
12:38 Baby
14:10 Baby Mama

Every new Brandy album is an event for me because she’s been my favorite R&B singer since Afrodisiac renewed my love for mainstream R&B back in the day. I don’t know why she chose “Baby Mama” as her lead single (or as a song to record period?) but I still have high hopes for the record. Because it’s Brandy. And she still sounds like that.

 

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Watch: Lamya “Empires”

This Lamya album still goes.

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This Lamya album still goes.

lamya1

I wish we could’ve had more from Lamya before she passed away so unexpectedly of a heart attack at age 35. Born in Kenya and raised in Oman, Lamya was a backup singer for Duran Duran before she released her debut (and only) album.  She had so many interesting shades (both in her voice and in her instrumentation) and I often wonder what “the Kenyan Björk” would be up to today.

“Empires” was the only single/video (love it) but “Never’s Such a Long Time” was my favorite, if you feel so inclined to check her out.

 

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